Yes, it Microphones / Miking; By Hugh Robjohns. vein. When miking a drum set with the AEA N8 it works well as an overhead microphone. by Consordini Staff Last Updated October 24, 2019. On piano, this mic slays. I've been extremely fortunate because most all of these have turned into long-lasting friendships. They went through a Rascal Audio Two-V preamp and into a Chiswick Reach 20th Anniversary Edition compressor. But given the innovative design of the shockmount included with the sE4400a, I can't help but get that out of the way... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. When... A shotgun shell — an actual shotgun shell, from a 12 gauge shotgun — turned into a microphone. AEA describes this mic as being very open, natural sounding and with a lot of detail. This mic has a lot of character and has many applications. Ribbon mics are usually more expensive than many dynamic mics and require more care when using and transporting. Yes, it captures well, but does it sound very different from a typical ribbon mic? Published August 2015. Anne is a great singer. Plus, it’s active too, which is not a very common feature with ribbon mics, especially vintage ones. It has been designed for what AEA refer to as ‘far-field’ applications, as opposed to up close and personal miking. We Are Hex are a supremely badass rock 'n' roll band from Indianapolis. About half of these times were pre- N8. E-Mail an uns schicken. I also love this mic on strings! All that detail and sense of space really makes tracks easy to place in a mix. The N8 and R88 share the … Well, inside a ribbon mic you quite literally have a strip of ribbon metal, usually aluminum, which works with the magnetic field to produce an alternating current or signal. Again, we all remarked at the detail and the fact that it sounded like his amp was sitting on the meter bridge. We used the N8 s as rear and front room mics for the kit. Remember, opening your AEA voids the warranty and we wouldn't recommend it anyways because ribbon mics in general are quite sensitive. really. Their mic preamps, summing amps, and control room... Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. How do you get a $10,000 sounding mic without bankrupting your studio? The N8 is the mono version of the AEA R88 stereo microphone with active electronics. It added this beautiful movement to the transient response that really made the drums shine on these tracks. We went through a few of Chris's favorite mics that he's loved on his voice, but as anyone will tell you, the female voice is very different. You may want to work with them in pairs, or alternatively AEA offer this mic in a stereo version, which is convenient for the likes of drum set overhead miking. We’re going to be checking out a stereo pair. Send it to Shannon Rhoades at MicRehab, that's how. It will work great on certain instruments, especially those which don’t rely heavily on a lot of high end crispness. velvety sounds of a ribbon mic but with the added benefit of crisp enhanced Sonically, these mics made a huge difference in everyone's in-ear mixes, and they greatly improved the recordings that were made at festivals and TV appearances. We did a session together, and then he kicked my ass on a bike ride to downtown Detroit to see the fireworks. At FOH, the difference was profound as well. The results were downright captivating. I love when a recording chain is so real it fools your senses. For the uninitiated — the N8 is the far-field companion to the stellar N22. Gegen unseren Testsieger sollte kein anderes Produkt gewinnen. The AEA N8 is great to work with and produces quality sound. Bidirectional Active Ribbon Microphone The N8 is the second active ribbon mic in AEA’s “Nuvo” series, following the N22. No shit. We have some audio clips comparing the N22 and N8 on electric guitar from the same distance (2 inches), right next to each other. tesa Extra Power Universal Gewebeband (Wetterfestes Reparaturband, 10 m x 50 mm), schwarz, 932575 tesa extra Power Perfect Gewebeband: Hochwertiges Reparaturband für vielfältige Klebelösungen im Außen- und Innenbereich - ideal zum Basteln, Verstärken, Reparieren und vieles … Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. We mic'ed the cymbals from underneath, positioning the mics' diaphragms parallel to the ground, figuring that what we sacrificed in tone was offset by what we gained in aesthetics, with no visible stands. This is not news to anyone in a studio, but at a live gig, this kind of setup opens you up to a world of uncertainty in terms of feedback and stage bleed. We were both floored. During soundcheck, I would line-check through his channels and then mute everything but the N8s, and use those as the core of my drum sound, peppering in the other channels as needed. This mic is not a one trick pony. If you’ve enjoyed this review and would like us to review your gear, just reach out to us at the following email address: reviews@consordini.com. I used a pair of the N8s on the stereo rig of guitarist Matt "Starchild" Hagan. The AEA N8 is great to work with and The N8 also shares the N22’s ribbon dimensions, transformer, and active transformerless electronics. I used Bartlett Spark and Fiddle mics and used the N8 farther out to supplement the close fiddle mic. There were times where I was sure she was in the control room rehearsing when I was making coffee in the next room. Aea n8 ribbon - Der absolute Testsieger unseres Teams. The N8 shares some sonic DNA with the R88 for sure, so it was like being able to use that beast of a mic in a dual mono, Glyn Johns configuration, and the take turned out great in combination with the other kit. Charlie Hall is easily one of my favorite drummers to mic. Again, this is one of those difficult sources for me, but we got great results with minimal stress. After 30 minutes or so, I lost patience and grabbed an N8 from the drums and put a pop filter 12'' in front of it. AEA have designed a pretty cool shock mount which attaches to the N8 to help keep down any unwanted noise in the off chance of movement. Michael Anne Erlewine is the real deal. The first ribbon microphone was co-invented by Walter H. Schottky and Erwin Gerlach in the 1920s, but the first "broadcast quality" ribbon mics were designed by Dr. Harry F. Olson for RCA. So presumably you’ll get the same low Not Specifically, I'm talking about the Miktek CV4. 2 customer reviews Questions about the AEA N8 Ribbon Microphone? I have two other ribbon mics, and have to say this is the cream of the crop. This is because the phantom power can actually damage the internal ribbon. Also, this ribbon mic has a figure of 8 polar pattern, which naturally means it will capture more of the room than a typical cardioid mic. high ends – sounds great! This multi-pattern, large-diaphragm condenser mic is hefty and appears to be very solidly made. Am Ende konnte sich beim Aea n8 ribbon Vergleich nur unser Vergleichssieger behaupten. That day, I acquired my third AEA mic, the R88 Mk2 stereo ribbon, and a relationship was born. It sounds a lot like a classic ribbon mic with a little boost in the Consordini is a participant in the Amazon.com Services LLC Associates Program. I began using the mics' figure-8 nulls in placement to keep hats and snare out, while accentuating tom bleed. It gives me plenty of output, so it works great with any preamp. I liked the idea immediately. These mics became the core of his live sound and never even broke a sweat. The mics share identical electronics, but the difference in voicing, and thus placement, is achieved acoustically inside the mics, making for two tonally similar mics for two different applications. Way back in June 2011, AEA founder Wes Dooley showed up at High Bias with a trunk full of his company's mics. That said, when it comes to the enhanced top-end sound reproduction that this mic promises – that’s not really the case. Upright is always tough for me. That said, when it comes to the enhanced top-end sound All in all, a great quality ribbon mic but ultimately not as revolutionary as we were hoping for. I can't say enough good things about them. This technique is tricky not only due to tonal issues, but also in terms of wear and tear. Leistungsstark! ᐅᐅAea n8 ribbon: Die TOP Modelle im Test. I'll get to this in a later review, but this is a great compressor in the "is this thing on?" A few of AEA’s mic designs, such as the R84, tend to be based around more classic, vintage ribbon mics such as the RCA 44. Think The Birthday Party meets Gang of Four fronted by Diamanda Galás and Robert Plant's pot-selling runaway daughter. We had a session recently where we were stacking overdubs of a cello and fiddle duo to achieve more of a section vibe. The sound was absurdly sick with the Chiswick Reach on. With the compressor in bypass, the room sound was delicately clear and natural. 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