I've painstakingly A/B'ed all my mics on toms and I just really prefer condensers(this week)heh. I've used them numerous times but my own preference now is a CAD M177 on floor tom and OKtava MK-012's on rack(with 10dB pad). Create a username and password below and an account will be created and your post entered. The only constants I've kept to thus far are SM57s on the rack toms. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. MD421's are always great on toms too. I like the d series stuff. I think the 408's are at least as good as the 421's and are much easier to position on certain kits. Sennheiser’s MD421 dynamic microphone is a workhorse microphone. I think there are better ways to allocate your funds. It can be hit or miss, depending on the source, positioning, and player. Originally intended as a general-use microphone for vocals and instruments, along the way it gained “killer app” status on tom drums. The standard microphone used on toms is the Sennheiser MD421, but you are not limited to using only this mic. This will result in a better sound. Hey there! How about an EV N/D468 for toms? Pictures Of Mic'ed Up Drum Kits In The Studio, Already have an account? Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. It just seems to get me "there" faster with little to no eq needed. When recording toms I am able to capture the warmest mids, the thumping lows, and transparent highs. The D2 and d4 are good on toms. I have seveal choices for OH, kick, snare and rooms. It's great for guitar cabs and horns too. BTW, I assume you know it's a top-address mic. The only … I 'd use the md 421 on rack tom and atm 25 or D112 for floor tom, I use a AKG e1000D on a 10 in tom, the rest is 421, 57 just don't cut it. I would say they handle bleed smoother than a 57 and they are hypercardiod as well. If you record drums, you need this mic in your life. I have never used them, personally, so I have no experience with their sonic signature and various uses. If this is your first visit, be sure to check out the FAQ by clicking the link above. An unintended defect in the mic’s design, though, has been killing tom drums ever since. My collection and variance of drum mics is growing immensely and quickly. The difference between the two is that the 57 track will actually make it to the mix. I am REALLY liking the Audix D6 on the floor tom right now. ... Really great microphone that delivers what the MD421 … Some points to consider: MD421 vs SM7B on toms (& other sources) I have been contemplating buying 421s for a looooong time now. It even works nice on some vocals. The MD421 has been my most versatile mic in my locker. If this is your first visit, be sure to check out the FAQ by clicking the link above. You need an account to post a reply. I've never had much luck with 57's on toms. My only issue with it is the clip. The Step Up: Sennheiser MD421. You may have to register before you can post: click the register link above to proceed. Similar to other drums, the toms need to sound great on their own acoustically before microphones are placed. , Sennheiser MD 421 II Cardioid Dynamic Mic, Easy handling due to pronounced directivity. Those of you who said 421's sucked on tom's. People who extensively use the MD 421 II dynamic microphone in the recording studio or anywhere else will know how effective it is, and the quality results it provides. dont the current version of the 421, I have some old white ones, they sounds great on toms. People who extensively use the MD 421 II dynamic microphone in the recording studio or anywhere else will know how effective it is, and the quality results it provides. User R. Martin left a review on Amazon stating: A great mic on many things, but absolutely UNREAL on toms. I've handled them several times. 421s definitely are better on toms than the 57, IMO, especially the older models. The MD421 has immaculate sound … I have a couple of different mics that I like and use for my the floor tom. To start viewing messages, select the forum that you want to visit from the selection below. The MD421 is also a great all around mic for the studio. 421 is "fatter", "fuller", more bottom... SM57 is more middy and can be "boxy" at times. heh. I just got 421's on my toms and they improved 100%. I haven't tried the Audix D series stuff on drums yet, but I do love my older 421's for Toms. MD421 on Toms - any special technique? Plus it's relatively inexpensive. When you buy products through links across our site, we may earn an affiliate commission. In the last year or two I've been really happy using a D112 on floor tom though. It's great on toms and amps, it's a really versatile microphone. You could consider an SM57 for toms 12" or smaller and MD421 for toms 13" or larger. Apparently people mess that up routinely so I have to ask. It’s exactly the sound you want. You may have to register before you can post: click the register link … It works a gem but I constantly grab the mic and inadvertently release it from it's holder. MD421 on Toms - any special technique? In my opinion, forget about the 421s for toms. If you're looking for a KILLER tom mic, take a look at the Cad m179. my faves are the cads though. Kept to thus far are SM57s on the floor tom though experience with their sonic signature and various uses 57... Visit from the selection below, personally, so I have n't tried the Audix D6 on the source positioning... 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